![]() ![]() It can be melodically rich, even if its lethargic sameness can sometimes be snoozy.īut the ADD way that Endless' songs and interludes change, move, shift and blend and bleed into each other, as Frank himself moves between languorous singing and draggy rapping, makes the hyperactive scrawl aesthetic Dev Hynes / Blood Orange recently explored on this year's Freetown Sound album seem comparatively straight ahead and conventional. The music and sonics of Endless are hydra-like, featuring a surfeit of creative ideas: The whole affair can be dark, moody, drifty, ambient, textured, druggy, somnambulant, melancholic, Eno-ghostly, synthy and depressive. Far more compelling is Frank Ocean's new music itself, featuring buzzy-hip collaborators like Jazmine Sullivan, Sampha and Jonny Greenwood of Radiohead. If I were feeling especially generous I'd say the black-and-white video is wonderfully Warhol-esque in its pursuit of anti-narrative, but I can't help think that it's really painfully slow, visually inert and much less stimulating than Beyoncé's highly considered Lemonade. The Record Anti-Everything: The Culture Of Resistance Behind Rihanna's Latest AlbumĮndless is billed as a visual album, meaning there are 18 tracks you listen to as you watch a 45-minute video (directed, executive produced and creatively directed by Ocean himself) in which the singer engages in some sort of unexplained power-tools construction project. ![]()
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